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Álvaro Urbano Honors the Lost Specimens of Mexico City’s Iconic Casa Cueva — Colossal

by Theinsightpost
October 20, 2026
in Arts
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Nested in a natural lava cave in Mexico City’s Pedregal de San Ángel region, a sprawling, mosaic-laden domicile was once home to Juan and Helen Fowler O’Gorman, an architect and artist, respectively. The pair designed the icon of modernist Mexican architecture, called Casa Cueva, in 1954, although it was largely destroyed after the couple sold the home in 1969.

At Museo Jumex, Álvaro Urbano presents an homage to the innovations of Casa Cueva, drawing on its gardens and the legacy that Helen left behind, particularly through her 1961 book titled Mexican Flowering Trees and Plants. Written and illustrated while she lived at Casa Cueva, the rich volume documented a variety of the region’s native specimens. For Urbano, these vegetal renderings became the basis of a new body of metal sculptures.

Installation view of ‘Álvaro Urbano: Helen’ at Museo Jumex (2026). Photo by
Ramiro Chávez

The artist’s solo exhibition, Helen, suspends his signature painted plants in a delicate arrangement. Floating against a diaphanous curtain, the lifelike sculptures appear almost as apparitions, hovering in mid-air to guide viewers through the dreamy space.

Each specimen is based off of one that appeared in Helen’s book, and a site-specific installation reveals variegated stone amid a floor of square pavers. Like Casa Cueva, the exhibition unfolds organically, creating a continual dialogue between space, plants, and those able to witness both.

Helen is on view through February 7. Explore more of Urbano’s work on Instagram

suspended botanical sculptures by alvaro urbano
Installation view of ‘Álvaro Urbano: Helen’ at Museo Jumex (2026). Photo by
Ramiro Chávez
a site specific installation with loose stone and pavers and suspended florals
Installation view of ‘Álvaro Urbano: Helen’ at Museo Jumex (2026). Photo by
Ramiro Chávez
in progress botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
suspended botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
in progress botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
suspended botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
in progress botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
suspended botanical sculptures by alvaro urbano in a studio
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
in progress botanical sculptures by alvaro urbano
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
a worktable with botanical sculptures and paint a shelf above
Studio view (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro
a man in a dark blue overshirt and undershirt and brown pants stands with his hands in his pockets next to a suspended botanical sculpture and a sheet
Álvaro Urbano (2026). Photo by Agustín Farías, © the artist, ChertLüdde, Marian Goodman, and Travesía Cuatro

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