News Americas, NEW YORK, NY, Weds. Feb. 4, 2026: After crafting the widely praised opening ceremony outfits for Team Haiti at the 2024 Paris Summer Olympics, Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.
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Haitian-Italian designer Stella Jean is once again partnering with the island nation — this time to design its uniforms for the 2026 Milan–Cortina Winter Olympics.Team Haiti’s Winter Olympics delegation may be small, but its cultural footprint is anything but. The 2026 team includes just two athletes — Richardson Viano, 23, and Stevenson Savart, 25 — yet Jean is ensuring their uniforms carry the weight of Haitian history, identity, and global presence.
In an interview with the Associated Press, Jean revealed that her original designs featured an image of Toussaint Louverture, the former enslaved general who led the revolution that established the world’s first Black republic in 1804.
“We have a commitment and a responsibility to convey a message,” Jean said. “There are many messages in this uniform. There is a bit of Haiti’s history, there is a representation of one of the fathers of the nation — Toussaint Louverture — a man feared by the most powerful on earth, such as Napoleon.”
However, the International Olympic Committee flagged the image as a violation of Olympic rules prohibiting political, religious, or racial propaganda at Olympic venues, forcing Jean and her team to rework the design.
“Rules are rules and must be respected, and that is what we have done,” Jean explained.
Drawing inspiration from a painting by Haitian artist Edouard Duval-Carrié, which depicts Louverture riding a red horse, Jean collaborated with Italian artisans to reinterpret the imagery without the historical figure. The final uniforms feature a striking red riderless horse set against a tropical backdrop, with the word “Haiti” emblazoned across the top.
Jean also designed a women’s look for Team Haiti, incorporating the traditional Haitian tignon — a headwrap historically imposed on enslaved women to cover their hair, now reclaimed as a symbol of resilience and cultural pride.
“For us, it is important that this horse — his horse, the general’s horse — remains,” Jean said. “It is the symbol of Haiti’s presence at the Olympics. In just a few meters of fabric, we must concentrate history and meaning. This is not about stylistic exercise.”
Haiti’s ambassador to Italy, Gandy Thomas, underscored the broader significance of the moment.
“Haiti’s presence at the Winter Olympics is a symbol — a statement, not a coincidence,” Thomas said. “We may not be a winter country, but we are a nation that refuses to be confined by expectation. Absence is the most dangerous form of erasing.”
Viano, who made history as Haiti’s first-ever Winter Olympian at the 2022 Beijing Games, echoed that sentiment, noting that participation on the global sports stage helps counter persistent negative narratives about the Caribbean nation.
The moment also comes amid heightened global attention on Haitians abroad. Just days before Haiti’s Winter Olympics appearance, a federal judge blocked an effort to end Temporary Protected Status (TPS) for roughly 350,000 Haitian immigrants living in the United States — a decision celebrated across diaspora communities.
Together, Jean’s designs and Team Haiti’s Olympic presence stand as a reminder that representation — on fabric, on snow, and on the world stage — remains a powerful form of resistance.
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