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Home Arts

Houston Center for Contemporary Craft Celebrates 25th Anniversary With Silver Exhibition — Colossal

by Theinsightpost
September 14, 2026
in Arts
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The most reflective element on Earth, silver has transformed the ways in which humans perceive, record, and understand the world. Presented on the occasion of the Houston Center for Contemporary Craft’s milestone 25th anniversary, A Material Inheritance employs silver as both subject and lens, inviting reflection on the institution’s past while considering the evolving future of contemporary craft.

Silver is the material through which cultures have learned to see and remember themselves. Its exceptional optical and metallurgical properties made possible advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms. Looking beyond the material’s status as a precious metal, the exhibition considers how silver has shaped systems of knowledge, value, and cultural exchange across centuries and continents. 

Adam Whitney, “Unknown Echo,” (2023), fine silver .999, 24k gold gilding, garnet, display base, 7.5 x 4.5 x 9.75 inches (rhyton), 12.5 x 6.5 x 14.5 inches (with display base). Photo by Adam Whitney

Featuring artists Moussa Albaka, Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, Anjali Srinivasan, and others, A Material Inheritance presents works spanning traditional metalsmithing and jewelry making as well as experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range. 

McCartney and Moore, who are alumni of Houston Center for Contemporary Craft’s Artist Residency Program, are metalsmiths whose practices are deeply intertwined with the history of the organization, and each offers a compelling investigation into inherited silver heirlooms, particularly domestic serving ware. Working from antique platters, teapots, flatware, and gifted family objects, both artists transform inherited silver from repositories of memory into dynamic sculptural forms, asking how objects accumulate meaning as they pass through generations.

Jaydan Moore, “TRACES #2,” (2025), found silver-plated platters, 44 x 35 x 9 inches. Photo by David Hunter Hale.

Across the works on view in A Material Inheritance, silver emerges as both substance and witness: a material shaped by histories of extraction, trade, migration, labor, and devotion, yet continually transformed through artistic experimentation. The exhibition positions silver as an active cultural agent that not only preserves histories but also continually refracts and reimagines them.

A Material Inheritance is on view through January 30, 2027, at the Houston Center for Contemporary Craft. Admission is free. 

Learn more at crafthouston.org. 

A silver brooch with white painted detailing that looks like dripping paint
Anya Kivarkis, “Untitled” (brooch) (2005), ilver, enamel paint. Photo by Mike Bray
A silver structure that looks like dripping water with a sapphire gemstone in the middle.
Leah Ying Lin, “Oumuamua Dream,” (2024), stainless steel and resin, 14 x 14 x 23 inches. Photo courtesy of the artist
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